Paper Cutout Artist: Kurt Stoeckel

Dancing Under a Rorshach Cloud, sandblasted glass panel by Kurt Stoeckel
Dancing Under a Rorshach Cloud, sandblasted glass panel by Kurt Stoeckel
February 10th is the last day of the Henri Matisse works on paper exhibition at the Museum of Modern Art in mid-town Manhattan. This link takes you scrolling through parts of the show.

We have a talented paper cutout artist right here in northern California. Kurt Stoeckel lives in the Bernal Heights area of San Francisco.

His paintings, photographs, sculpture and glasswork all look like paper cutouts. Now he’s creating LED lamps. One-of-a-kind ones.

An elongated glass panel stands 65 inches tall by 22 inches wide near a doorway in his studio. Etched into it is a line drawing that looks like a cutout of two people dancing under a cloud that has animal-like shapes inside of them.

The sandblasted panel has a background light that comes with the ability to change from red to green to blue or combinations those three colors using a remote control.

Dancing Under a Rorshach Cloud reflects the current fascination of paper cutout artist, Kurt Stoeckel.

“I’ve always liked indirect lights that are kind to the eye,” he said.

The elegance of his work reflects what he values. “I love the functionality and design of the Art Deco Era. Every product was designed to have some intrinsic value beyond its use.”

It was an era of “a conscious and universal attempt to make utilitarian items also pleasant to live around. For example toasters didn’t have to have all those deco designs and shapes. And because they did they were pleasant to live around and they also made toast. Making toast was secondary and the rest of the time it’s a beautiful piece of art. It’s a generosity to all of us to live around the comfort of a pleasing design.”

Kurt Stoeckel, paper cutout artist. Photo by Mary Gow
Kurt Stoeckel, paper cutout artist. Photo by Mary Gow
Stoeckel grew up in Scranton, Pennsylvania. His father loved photography and theater. “He trusted me with his cameras even after I dropped one. I appeared in every play requiring a child in a perambulator,” he said. His grandfather liked everything mechanical. “He taught me how to cut out metal shapes with a torch when I was ten.”

“That was my beginning, memorizing lines and welding things together.”

In 1994 he moved to Bernal Heights. “Painting had replaced metal sculpture.” He credits Bernal artist Toby Klayman as an influence. She taught painting at City College. He took her class and later became her teaching assistant.

He took lots of pictures. “I thought of myself more as a “What if” experimenter than a photographer creating compositions. Photography was one meditative roll of 36 exposures of film a week.”

“I still find joy and peace in a meditative walk with a camera. I now choose compositions that begin with ‘What If?’ I imagine turning a decade of photos into a ten day stop-action film.”

He considers himself now primarily a paper cutter. “I’ve made 10,000 of them while living here. I still paint. My paintings look a lot like paper cut outs.”

Since 2008 Stoeckel also teaches photography and theater technology classes in a local high school.

“I feel very fortunate to have a waiting list of collectors for my paintings,” he said.

He continues experimenting.

Open Studios in November

"Stepping Out...Slowly," mixed media by Mary Gow
“Stepping Out…Slowly,” mixed media by Mary Gow

It’s that time of year again when you can drop into artist’s studios and alternative spaces to see a huge swatch of the art made in the San Francisco area. The event covers 4 weekends in a row and begins this weekend and continues through November 9th.

Back in 2008 when I told my good friend, Regina Held (owner of Matrix Fine Art Gallery and New Grounds Print Workshop & Studio in Albuquerque, NM), that I was in Open Studios she said, “Well don’t be too hard on yourself. It takes three years to get it right. The first year you don’t know what you’re doing. The second year you make some changes. By the third year you know what you’ve got the hang of it.”

2014 San Francisco Open Studios will be my chance to show I’ve got the hang of it. My first two official appearances were at the Graphic Arts Workshop at 2565 Third Avenue in 2008 and 2009 in Suite 305 of the American Industrial Building. If you haven’t been by there I’d recommend you go. There’s a irresistible bakery across the hallway from the Graphic Arts Workshop that cooks up the pastries for many of the bakeries in town. There’s nothing like the lilt of cinnamon rolls in the air while mixing inks and rolling the press.

You’re cordially invited to drop by and see my work at the Grotto Gallery at 1590 Bryant Street, SF 94103, on Weekend #3 – November 1st and 2nd. There’s a party on the evening of November 1st so hours of viewing are 11am to 7:30pm. Sunday I’ll be there 11am to 6pm. Light refreshments will be provided. And it’s rumored the Fat Chance Belly Dancers are performing Saturday evening.

On view will be the best display of the range of my work – perhaps ever to appear in one space. I’ll be showing what my best favorite works in the main media I work in: photography, painting, monotypes, and cameraless art (also known as “photograms”).

Mention this blog entry and you get ten percent off any purchases of my work at the Grotto Gallery at Sports Basement at 1590 Bryant Street.

Click here for a PDF of a map of the areas you can visit each weekend.

Exploring Painting Techniques: Spritzing

painting in process by Mary Gow
Work in progress, Part 1, acrylic on canvas, by Mary Gow
paint technique on canvas
Work in progress, Part 2, acrylic on canvas, by Mary Gow
These last few weeks I’ve become familiar with the work of Flora Bowley, thanks to local artists, Anna Kazanjian and Regina Jessup.

Here’s a painting I’m working on.

You can see it changing with a bit as I used the spritzing of water onto the canvas, which is a technique that Bowley encourages. I loaded up my brush with paint and without thinking about it, swished it on my canvas then sprayed it with a water bottle. I felt like a kid again as I watched the paint begin to drip. In this example I’m only beginning this dripping technique, stay tuned for more dramatic examples!

I’ll share more as I explore Bowley’s book. It’s easy to participate as you go through the book in what are called “prompts.”

Sprinkled throughout the book are some of the same quotes I’ve saved in my own arsenal of inspiration.

“Overcome the notion that you must be regular. It robs you of the chance to be extraordinary.” – Uta Hagen (from p. 121).

The full title is Brave Intuitive You: Let Go, Be Bold, Unfold, Techniques for Uncovering Your Own Unique Painting Style.

A New Dance

A New Dance, by Mary Gow (using Aeolian Harp App)
“A New Dance,” by Mary Gow (using Aeolian Harp App)
Life is like dancing . . . at times moving towards and then away, step forward, step back, move side to side…turn.

I created this drawing on my iPhone using a favorite app I’ve mentioned before, Aeolian Harp. Play music while you’re drawing.

Have you explored it yet?